Computer Music Journal Seeks Proposals for Special
Issues
Computer Music Journal welcomes proposals to guest-edit a special issue
on any theme related to computer music. The issue can be managed by a sole
guest editor or a team of guest editors having expertise in the area of the
special issue.
Guest-editing a special issue involves:
1.
Issuing a call for papers after consultation with the journal’s Editor.
2.
Choosing a panel of peer reviewers and obtaining their agreements to
serve as reviewers. Additional peer reviewers may be chosen after a manuscript
is received, according to the reviewers’ expertise in the area of that
particular manuscript’s topic.
3.
Sending submitted manuscripts to the selected peer reviewers and
reminding them of the deadline.
4. After
peer reviews are received, deciding which manuscripts to accept, usually on the
condition that the authors incorporate changes recommended by the reviewers and
possibly the guest editors.
5. Notifying
authors of the decision and reminding authors of accepted manuscripts about the
deadline for their final versions.
6. As
each accepted manuscript is received in its final, approved form, sending it to
Computer
Music Journal’s editors for editing and
processing. The guest editors are welcome, but not expected, to have done
low-level copy editing such as correcting spelling and grammar. Unclear
passages, however, should have been reworded in collaboration with the authors.
7.
Writing an overview for publication as Editor’s
Notes. These typically consist of a few hundred words and should describe the
issue’s theme and summarize its articles.
Your proposal should include:
1. A
detailed description of the issue’s theme, suitable for inclusion in a call for
papers.
2. The
CV of each guest editor, as well as a brief explanation of that editor’s
expertise in the area of the special issue.
3.
A proposed schedule, including deadlines for
submissions, deadlines for peer reviews, and deadlines for authors’ final
versions. Accelerated but realistic
schedules will be viewed favorably. The entire issue is expected to appear
approximately five months after receipt of the last article from the guest
editors.
Detailed requirements about the manuscript format can be viewed at
https://direct.mit.edu/comj/pages/submission-guidelines. Ignore the paragraph
about submitting manuscripts at cmjdb.com, which does not apply to special
issues; the guest editors will instead receive submissions directly from the
authors and will manage the peer review process themselves. Articles for the
special issue can include supplementary files, such as media files or software,
less than half a GB in size. In addition to regular articles, the guest editors
may solicit reviews for the journal’s Reviews section (e.g., reviews of books,
recordings, or events related to the issue’s theme). Reviews typically do not
go through a peer review process; the guest editors should assess the review’s
suitability themselves. If relevant to the issue’s theme, the guest editors are
welcome to propose serving as curators for music to be included in the
journal’s annual Sound [and Video] Anthology.
Each article undergoes
initial editing and appears in an early form at
https://direct.mit.edu/comj/online-early, before proofreading and before the
issue as a whole is published. Authors are sent proofs to review prior to publication.
Please send proposals or initial inquiries to
editor.computer.music.journal@gmail.com.