Örjan Sandred: The Musical Fundamentals of Computer Assisted Composition
Reviewed by Ross Feller
Cathy van Eck: Between Air and Electricity: Microphones and Loudspeakers as Musical Instruments
Reviewed by Ross Feller
James Tenney: From Scratch: Writings in Music Theory
Reviewed by Robert Hasegawa
Andrew J. Nelson: The Sound of Innovation - Stanford and the Computer Music Revolution
Reviewed by Ross Feller
Marilyn Nonken: The Spectral Piano: From Liszt, Scriabin, and Debussy to the Digital Age
Reviewed by Jeffrey Trevino
Jacqueline Caux: Almost Nothing with Luc Ferrari (Critical Ear Volume 5)
Reviewed by Curtis Roads
Nicolas Isherwood: The Techniques of Singing
Reviewed by Curtis Roads
Eric Lyon: Designing Audio Objects for Max/MSP and Pd
Reviewed by Robert S. Thompson
Thomas Clark: Larry Austin: Life and Works of an Experimental Composer
Reviewed by Annea Lockwood
Dan Hosken: Music Technology and the Project Studio: Synthesis and Sampling
Reviewed by Douglas Geers
Two Reviews of Hannah B. Higgins and Douglas Kahn (eds.): Mainframe Experimentalism: Early Computing and the Foundations of the Digital Arts
Reviews by Hubert Howe and Jeffrey Trevino
Larry Austin and Douglas Kahn (eds.): Source: Music of the Avant-Garde, 1966-1973
Alessandro Cipriani and Maurizio Giri: Electronic Music and Sound Design: Theory and Practice with Max/MSP, Vol. 1
Reviewed by James Harley
Bob Ostertag: Creative Life–Music, Politics, People and Machines
Reviewed by Jeff Kowalkowski
Dmitri Tymoczko: A Geometry of Music: Harmony and Counterpoint in the Extended Common Practice
Reviewed by Michael Gogins
Dan Hosken: An Introduction to Music Technology
Reviewed by Douglas Geers
Chris Salter: Entangled: Technology and the Transformation of Performance
Reviewed by Margaret Schedel
Roger T. Dean, editor: Oxford Handbook of Computer Music
Reviewed by Margaret Schedel
Ralph Paland and Christoph von Blumröder, eds.: Iannis Xenakis: Das elektroakustiche Werk
Reviewed by James Harley
Gerhard Nierhaus: Algorithmic Composition: Paradigms of Automated Music Generation
Reviewed by Paul Doornbusch
Robert Reigle and Paul Whitehead (Editors). Spectral World Musics: Proceedings of the Istanbul Spectral Music Conference
Reviewed by Ian Whalley
Évelyne Gayou, editor: Polychrome Portraits 14: Pierre Schaeffer
Reviewed by Thom Blum
Eleanor Stubley, editor:
Compositional Crossroads: Music, McGill, Montreal
Reviewed by Osvaldo Budón
Nick Collins and
Julio d’Escriván, editors: The Cambridge Companion to Electronic
Music
Reviewed by Michael Robert Barnhart
Ken Greenebaum and Ronen Barzel (editors): Audio Anecdotes: Tools, Tips, and Techniques for Digital Audio
Reviewed by Ian Whalley
Anssi
Klapuri, Manuel Davy, Eds: Signal Processing Methods for Music Transcription
Reviewed by George Tsanetakis
Andrew R. Brown: Computers in Music Education: Amplifying Musicality
Reviewed by Matthew McCabe
Guerino Mazzola:
Elemente der Musikinformatik: Ausgearbeitet von Roland Bärtschi unter Mitarbeit von Stefan Göller
Reviewed by Charles Turner
Institut
National de l’Audiovisuel Portraits Polychromes: Max Mathews
Reviewed by James Harley
Gareth Loy:
Musimathics: The Mathematical Foundations of Music, Volume One
Reviewed by Mark Ballora
Stéphane Mallat: A Wavelet Tour of Signal Processing, 2nd Edition
Reviewed by Bob L. Sturm
Mary Simoni, editor: Analytical Methods of Electroacoustic Music
Reviewed by James Harley
Golo Föllmer, Netzmusik: Elektronische, ästhetische und soziale Strukturen einer partizipativen Musik
Reviewed by M. J. Grant
Justin London:
Hearing in Time: Psychological Aspects of Musical Meter
Reviewed by John Ashley Burgoyne
James
Matthew Bohn: The Music of American Composer Lejaren Hiller and an
Examination of His Early Works Involving Technology
Reviewed by Louis Ferdinand
William A. Sethares: Tuning, Timbre,
Spectrum, Scale (Second Edition)
Reviewed by Ian Whalley
Arun Chandra, editor: When Music
Resists Meaning: The Major Writings of Herbert Brün
Reviewed by Ross Feller
Trevor Pinch and Frank
Trocco: Analog Days: The Invention and Impact of the Moog Synthesizer
Reviewed by James Harley
Heinrich K. Taube: Notes from the Metalevel: Introduction to Algorithmic Music Composition
Reviewed by Dave Phillips
Lutz Trautmann and Rudolf Rabenstein: Digital Sound Synthesis by Physical Modeling Using the Functional Transformation Method
Reviewed by Bob L. Sturm
Helga de la Motte-Haber, editor: Klangkunst:
Tönende Objekte und klingende Räume
Reviewed by M. J. Grant
Peter Manning: Electronic and Computer Music,
Revised and Expanded Edition
Reviewed by James Harley
Alec Nisbett: The Sound Studio: Audio Techniques for Radio,
Television, Film and Recording, Seventh Edition
Reviewed by S. Lyn Goeringer
Roman Petelin and Yury Petelin: Cakewalk Sonar:
Plug-Ins & PC Music Recording, Arrangement, and Mixing
Reviewed by Eric S. Strother
Elena Ungeheuer, editor: Elektroakustische Musik
Reviewed by M. J. Grant
Dave Phillips: Linux Music and Sound
Reviewed by Linda Seltzer
Mark Ballora: The Essentials of Music
Technology
Reviewed by John Phillips
Perry R. Cook: Real Sound Synthesis
for Interactive Applications
Reviewed by Tae Hong Park
Thomas Licata, editor: Electroacoustic
Music: Analytical Perspectives
Reviewed by Michael Hamman
David Temperley: The Cognition of
Basic Music Structures
Reviewed by Meg Schedel
Curtis Roads: Microsound
Reviewed by Meg Schedel
Virtual Sound: Sound Synthesis and Signal Processing—Theory and Practice
with Csound
Riccardo Bianchini & Alessandro Cipriani
Reviewed by Daniel Hosken
Bob Snyder: Music and Memory: An Introduction
Reviewed by Chris Kennett
Presences of/Présences
de Iannis Xenakis
Makis Solomos, editor
Reviewed by Martin Laliberté
The Little Audio CD Book
Bob Starrett and Josh McDaniel
Reviewed by Eric Strothe
KlangForschung ´98, Symposium zur elektronischen Musik
Jörg Stelkens and Hans G. Tillmann, eds.
Reviewed by Anna Sofie Christiansen
David Cope: The Algorithmic Composer
Reviewed by Michael Theodore
Richard Boulanger, editor: The Csound Book:
Perspectives in Software Synthesis, Sound Design, Signal Processing, and
Programming
Reviewed by Robert Scott Thompson
Simon Reynolds: Generation Ecstasy: Into the World of Techno and Rave Culture Martin Supper: Elektroakustische Musik und Computermusik:
Geschichte, Ästhetik, Methoden, Systeme Eduardo Reck Miranda: Computer Sound Synthesis for the Electronic Musician Marc Leman, ed: Music, Gestalt, and Computing: Studies in Cognitive and Systematic Musicology
Reviewed by Kim Cascone
Reviewed by Anna Sofie Christiansen
Reviewed by Paschall de Paor
Reviewed by Eric Scheirer
