Published continuously since 1977,Computer Music Journal (CMJ) is
an MIT Press journal that covers a wide range of topics related to electroacoustic
music, digital audio signal processing and music software.
The topics addressed in Computer Music Journal include, among other areas:
software and hardware for digital audio signal processing
electroacoustic, electronic, and computer music
software for music notation, printing, and archival systems
music representation languages and music cognition
new physical performance interfaces
sound localization and 3-D sound spatialization
sound in computer user interfaces and virtual realities
aesthetics of contemporary music
Prior to Volume 49, the Journal was presented in quarterly issues in hard copy and online. Starting in 2026, the Journal has been online only (PDF and XML) with continuous publication, whereby each article is available individually as soon as its production is complete, and volumes are not necessarily divided into issues.
Computer Music Journal includes:
feature articles: technical or aesthetical essays, tutorials, surveys, or interviews
reviews of events, recordings, publications, and products
occasional editor's notes and letters to the editor.
Prior to Volume 49, each issue of the Journal was between 80 and 128 pages long and additionally included:
news and announcements relevant to the computer music community
extensive new product announcements.
Computer Music Journal also presents an annual online sound and video anthology. It contains music curated by leading figures in the field and may also contain sound examples, video examples, and computer files related to Journal articles.
Editorial Staff
Editor
Douglas Keislar
Managing Editor
Louise Harris
Associate Editors
Brett Terry
George Tzanetakis
Assistant Editors
Brian Bemman
Chuck-jee Chau
Ross Feller
Edmund Hunt